Gear

Console:
Amek Einstein Super ‘E’ 

Monitoring:
Neumann KH120
Dynaudio BM5a
Drawmer MC2.1
Furman HDS-6

Recorders:
Otari MX5050 8-channel 1/2″ tape machine (refurbished by Adrian at Adrian ProAudio)
Lynx Aurora 16

Preamplifiers/Equalization:
Burl B1D
Sytek MPX4aii (x2)
Seventh Circle Audio T15
Ocean Audio EQ (Malcom Toft Designed)
Trident 80B EQ

Compression:
Empirical Labs Distressor
Overstayer Stereo VCA Compressor
DBX 160X
DBX 160A

Effects:
Lexicon PCM60
Deltalab Effectron

Microphones:
Beyerdynamic M160 (x2)
Beyerdynamic M201
Beyerdynamic M260
AEA r92
Shure SM57 (x6)
Shure SM58 (x2)
Shure Beta 52a
Shure SM7
Audix D6
Audix i5 (x2)
Audio Technica AT4033
Audio Technica ATM25
AKG D112
Sennheiser MD421 (x2)
Sahe Audio Little Blondie (x2)

Software:
PSP Audioware
Soundtoys 5
Slate
Izotope RX4
SoundRadix
+ a lot more

Instruments:
Yamaha Rock Tour Custom Kit (1990s) (22″/12″/16″)
Rogers “Big R” Kit (1970s Made in Fullerton) (22″/12″16″)
Yamaha Musashi Snare (13″)
Yamaha Recording Snare (14″)
Ludwig Acrolite Snare (1970s) (14″)
Ampeg SVT-350
Gallien Krueger RB-1001
Peavey 5150
Mesa Dual Rectifier
Marshall 4×10 Bass Cab
Randall 6×10 Cab
Ampeg 8×10 Cab
Gallien Krueger 8×10 Cab
Fender Jazz Bass (MIM)